The forerunner to the photographic camera was the camera obscura. In the fifth century B.C., the Chinese philosopher Mo Ti noted that a pinhole can form an inverted and focused image, when light passes through the hole and into a dark area. Mo Ti is the first recorded person to have exploited this phenomenon to trace the inverted image to create a picture. Writing in the fourth century B.C., Aristotle also mentioned this principle. He described observing a partial solar eclipse in 330 B.C. by seeing the image of the Sun projected through the small spaces between the leaves of a tree. In the tenth century, the Arabic scholar Ibn al-Haytham (Alhazen) also wrote about observing a solar eclipse through a pinhole, and he described how a sharper image could be produced by making the opening of the pinhole smaller. English philosopher Roger Bacon wrote about these optical principles in his 1267 treatise Perspectiva. By the fifteenth century, artists and scientists were using this phenomenon to make observations. Originally, an observer had to enter an actual room, in which a pinhole was made on one wall. On the opposite wall, the observer would view the inverted image of the outside. The name camera obscura, Latin for “dark room”, derives from this early implementation of the optical phenomenon. The term was first coined by mathematician and astronomer Johannes Kepler in his Ad Vitellionem paralipomena of 1604.
The use of photographic film was pioneered by George Eastman, who started manufacturing paper film in 1885 before switching to celluloid in 1889. His first camera, which he called the “Kodak,” was first offered for sale in 1888. It was a very simple box camera with a fixed-focus lens and single shutter speed, which along with its relatively low price appealed to the average consumer. The Kodak came pre-loaded with enough film for 100 exposures and needed to be sent back to the factory for processing and reloading when the roll was finished. By the end of the 19th century Eastman had expanded his lineup to several models including both box and folding cameras.
“Take Me Home, Country Roads” (or simply “Country Roads”) is a song written by Bill Danoff, Taffy Nivert, and John Denver, and initially recorded by John Denver. It was included on his 1971 breakout album Poems, Prayers and Promises; the single went to number 2 on the U.S. Billboard Hot 100, topped only by “How Can You Mend a Broken Heart” by The Bee Gees. It became one of John Denver’s most popular and world-wide beloved songs, and is still very popular around the world, considered to be John Denver’s own signature song. It also has a prominent status as an iconic symbol of West Virginia; for example, it was played at the funeral memorial for U.S. Senator Robert Byrd in July 2010. -wikipedia
“While My Guitar Gently Weeps” is a song written by George Harrison, first recorded by the Beatles in 1968 for their eponymous double album (also known as The White Album).
“While My Guitar Gently Weeps” was ranked no. 136 on Rolling Stone’s list of “The 500 Greatest Songs of All Time”, no. 7 on their list of the 100 Greatest Guitar Songs of All Time, and no. 10 on their list of The Beatles 100 Greatest Songs. In an online poll held by Guitar World magazine in February 2012, “While My Guitar Gently Weeps” was voted the best of Harrison’s Beatle-era songs. -wikipedia
This artwork would look terrific on a large canvas,and a print on any other media would look just as stunning!